TRUSTEES

Dr. Fritsch is a specialist in Japanese photography, and Curator of Modern and Contemporary Art at the Ashmolean Museum (University of Oxford). Prior to joining the Ashmolean in 2017, she worked at Tate Modern and Hamburger Bahnhof, Berlin. Fritsch’s monographs on photography include Ravens & Red Lipstick. Japanese Photography since 1945 (released in English by Thames & Hudson in 2018 and in Japanese by Seigensha in 2019), an English-language version of Daido Moriyama’s Tales of Tono (Tate Publishing, 2012), The Body as a Screen: Japanese Art Photography of the 1990s (Georg Olms, 2011), and Yasumasa Morimura’s Self-Portraits as Actress (VDM, 2008). Fritsch studied Art History, Japanese Studies, and English Studies at Bonn University, Germany and Keio University, Tokyo.

Katy is a photography curator and advisor. She is Chair of the Board of Trustees of Photofusion in Brixton and a member of the Maud Sulter Advisory Board. Katy has been focussed on photography for the past 15 years, working with museums, festivals, galleries, collectors and artists in a variety of capacities such as curating exhibitions both in the UK and abroad, advising museums and collectors on acquisitions, running artists’ residencies and prizes and mentoring photography groups as well as writing exhibition catalogues and attending portfolio reviews in the UK and abroad. She studied at the Courtauld Institute of Art and Magdalen College, Oxford.

Brian was the Senior Partner of Deloitte Consulting until 1999 when he took up a number of public, private and voluntary sector appointments. From 2007 to 2013 he was Chair of the Photographers’ Gallery in London. He holds an MA in Photography and is an active photographer (ARPS) and collector of photographs and photo-books. He is Chair of the Kraszna-Krausz Foundation, which awards photography and moving-image book prizes, and Chair of the Royal Photographic Society’s Awards Committee.

Taous is a photography historian working between Paris and Oxford. She is currently a PhD fellow at the Panthéon-Sorbonne University in Paris. Since 2019 Taoushas been a researcher attached to the Maison Française in Oxford. She is on the editorial board of The Eyes, an annual bilingual photography magazine. You can regularly read her work as a photography critic in specialized publications and hear her talks in photo-related events.

Chloe is an artist, photographer, and filmmaker. Her work is internationally recognised, exhibiting at Tate Modern, Irish Museum of Modern Art and Staatliche Kunstsammlungen, Dresden; as well as being published widely in newspapers and magazines such as the Guardian, New Yorker, Financial Times and Le Monde. She is the recipient of the Robert Gardner Fellowship in Photography from Harvard University’s Peabody Museum of Archaeology & Ethnology, and her work is held in public collections such as the British Council Art Collection, the National Galleries of Scotland and the Irish State Art Collection. Four monographs have been published on her work: Shot at Dawn (Ivorypress, 2014), Caspian: the Elements (Aperture / Peabody Press, 2018), In Search of Frankenstein (Kodoji Press, 2018) and Thames Log (Loose Joints / Martin Parr Foundation, 2021).

Joanna Vestey is a practising artist/photographer based in Oxford. She holds an MA in Social Anthropology and Development from SOAS and has recently completed a practice-based PhD at USW. Her doctoral studies focused on shifts in materiality and technology and photography’s place within this. Her work has been exhibited internationally and is held in permanent collections. She is passionate about social change and is always interested in how photography and the arts can be used to both affect and effect this.

Benet is an entrepreneur and businessman with expertise focused on developing strategy and effective operational execution that challenges conventional boundaries. This expertise was developed both in large businesses and in start-up organisations primarily in the UK, Western Europe and the USA. He has had a lifelong interest in photography.

Daniela is a cinema historian with an interest in modernist photography. She is professor of Cinema Studies at Oxford Brookes University, where she works on audiences, exhibitions and movie-going experiences, and is the Chair of the Creative Industries Research and Innovation Network (CIRIN).

Since 2019 Daniela has been leading The Audience Project (TAP) a research group on historical and contemporary audiences.

Jeremy, a Trustee since 2015, holds a Doctorate from Oxford Brookes University, owns the Old Bank and Old Parsonage Hotels as well as Gees Restaurant in Oxford. His support of the arts goes back to his Directorship and sponsorship of the Discerning Eye Arts Exhibition (1995-1997), his sponsorship to re-establish the Oxford Literary Festival in 1995 and his founding in 2013 and ongoing sponsorship of the annual short story competition, The Mogford Prize for Food and Drink Writing. Jeremy has chaired ROX (Backing Oxford Business) since 1999 and OHSA (Oxford High Street Assocociation) since 2008. He is an avid collector of 20^th Century British Art and Photography.

Mark should really have become a photographer, but ended up in medicine. The nearest equivalent in that profession is, of course, that of a Radiologist working with the full range of cameras to image inside the body – MRI, CT, ultrasound, x-rays and functional imaging, which he has practised for 30 years.

Uwe's professional life was that of a physiologist. In retirement he is an amateur photographer, living and exhibiting in Oxford. His special interest is in creating in Oxford a hub that is powered by the tension and dialogue between photographers who continue in the tradition of describing the world around them, and those artists who create novel visual ideas in a medium where almost everything that can be photographed has already been photographed.